5 edition of Causes Won, Lost, and Forgotten: How Hollywood and Popular Art Shape What We Know about the Civil War (The Steven and Janice Brose Lectures in the Civil War Era) found in the catalog.
|Statement||The University of North Carolina Press|
|Publishers||The University of North Carolina Press|
|LC Classifications||Apr 07, 2008|
|The Physical Object|
|Pagination||xvi, 95 p. :|
|Number of Pages||52|
nodata File Size: 1MB.
Their quest frequently took the form of heated debates that continue despite the passage of nearly 150 years. Editor Essays and Published Lectures "The Progress of Our Arms": Whither Civil War Military History? The second chapter is devoted to the Confederate, the third to the Federal viewpoint.
On the Union side, only the Irish brigade carries sales potential. Professional Activities Editor, "Civil War America" series at the University of North Carolina Press, 1993  - 108 titles to date Editor, "Military Campaigns of the Civil War" series at the University of North Carolina Press, 1994 - 10 titles to date Co-editor, "American Civil War Classics" series, University of South Carolina Press, 2001-2005 5 titles Co-Editor, "The Littlefield History of the Civil War Era," 16-vol.
Blair and Karen Younger, editors 2009 Gender and the Sectional Conflict Nina Silber 2008 Causes Won, Lost, and Forgotten: How Hollywood and Popular Art Shape What We Know About the Civil War Gary Gallagher 2008 The Civil War as a Theological Crisis Mark Noll 2006 The Boundaries of American Political Culture in the Civil War Era Mark E. Interestingly, Gallagher expanded this study of representations to include works of graphic art.
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Downs 2019 Sex and the Civil War: Soldiers, Pornography, and the Making of American Morality Judith Giesberg 2017 Tales from the Haunted South: Dark Tourism and Memories of Slavery from the Civil War Era Tiya Miles 2015 The World the Civil War Made Gregory P.
On the Union side, Gallagher wonders why so few Civil War movies present the historically correct devotion to the Union cause. Compared to movie audiences and the total US population, these numbers are still shockingly small. Editor and co-author The Spotsylvania Campaign. Neither film nor art provides sympathetic representations of the Union Cause, which. [Gary W Gallagher] -- Describes.
Gallagher notes that movies are the main medium for shaping the image of popular history. Gallagher obviously wants to avoid the political minefield of Republican white suburbia which he meets again in his final chapter on Confederate art. There has been a surge in public curiosity about the war. Good Condition: A book that has been read, but is in good condition. The Steve and Janice Brose Lectures in the Civil War Era. By drawing attention to four principal traditions of interpretation in cinema and art, he demonstrates how popular culture both reflects and shapes our understanding of the war's meaning.
These real, although blemished, historical heavyweights have seemingly lost in the popularity sweepstakes to a gaggle of assorted Confederate stalwarts. Buy Causes Won, Lost, and Forgotten : How Hollywood and Popular Art Shape What We Know about the Civil War at.
The University of North Carolina Press, in partnership with the George and Ann Richards Civil War Era Center at Penn State, launched in March 2011.